Islamic Values in Bedhaya Sri Nawa Kumala Dance of Guruh Sukarno Putra Creation
Main Article Content
Abstract
Bedhaya Sri Nawa Kumala dance is a composition of Bedhaya Ketawang Dance idea manifested into a brand new form by Guruh Sukarno Putra, a choreographer and dancer who is experienced in interpreting and reinterpreting. Guruh Sukarno Putra considered that dance can be manifested by exploring the existing value in a community. The value of sacredness as in Bedhaya can be manifested in various forms and shapes. Bedhaya Sri Nawa Kumala dance performance emphasizes Surakarta Traditional Female Dance Style which dance music consisting of the teachings of Sunan Kalijaga contains Islamic values. The costumes cover the head and body of the dancers, which is a manifestation of worship to God Almighty. The method used in this research was dance ethnography with Ethnochoreology approach supported by Marco De Maramis theory explaining that art performance is multilayer. Field research was conducted to obtain data from observation, data analysis, style explanation, and write a synthesis that aims to determine the style of Bedhaya Sri Nawa Kumala dance performance by Guruh Sukarno Putra which contains Islamic Values.
Article Details
References
Adshead Janed, Hodgens, Pauline, Briginshaw, Valery A, Huxley, Michael. Dance Analysis (edited by Janed Adshead). London: Cecilcourt.1988.
Agus Tasman, Analisa Gerak dan Karakter. Surakarta: ISI Press. 2008
Ahimsa-Putra, Heddy Shri. Ketika Orang Jawa Nyeni. Yogyakarta: Galang Press dan Yayasan Adhi Karya untuk Pusat Penelitian Kebudayaan dan Perubahan Sosial Universitas Gadjah Mada, 2000.
Dinar, Ayu. “Koreografi Indonesia Jaya di Group Tari Kinarya Soerya Soemirat Pura Mangkunegaran”, Skripsi, Institut Seni Indonesia, Surakarta, 2014.
Farokhah. Fiqih Aisyatul, Sri Kusumo Habsari, Mugijatna. “The Curse of Beauty: Sexuality Exploitation towards Sales Promotion Girls’ Body Viewed from the Islamic Perspective”, Millatī, Journal of Islamic Studies and Humanities Vol. 3, No. 2, Des. 2018
Hariyah. “Research Trends in Islamic Studies on Journal of Research and Development and Training Center Ministry of Religious Affairs: Using Co-Words”, RECORD AND LIBRARY JOURNAL Volume 2, Nomor 2, Juli-Desember 2016
Hawkins, Alma M, Creating Through Dance: Mencipta Lewat Tari.Terj. Y. Sumandiyo Hadi. Yogyakarta: ISI Yogyakarta. 1990
Khairiyah. Nanda, “Pendidikan Islam Antara Harapan dan Realita” Jurnal Al-Aqidah STIA Salatiga, VOLUME 2 NO. 2 TAHUN 2019
Maramis, Marco De. The Semiotics of Performance. USA: Indiana University Press. 1993
Murgianto, Sal, Kritik Tari. Jakarta: MSPI. 2002.
Pengkajian Seni. “Manajemen Seni”, Tugas Kuliah, Pasca Sarjana Institut Seni Surakarta, 2015.
Pramutomo, RM. Antropologi Tari. Surakarta: STSI Press. 2005
Quraatul Aini, Intan. ”Nilai-nilai Pendidikan Islam yang Terkandung dalam Tari Rateb Meuseukat”. Didaktika, Jurnal Ilmiah Vol. 17 No. 1 (Agustus 2016).
Rizali, Nanang. “Kedudukan Seni dalam Islam”. Tsaqafa, Jurnal Kajian Seni Budaya Islam Vol. 1 No. 1 (Juni 2012)
Robert Leuer. Perspekti Tentang Perubahan Sosial.Terj. Santika Yogyakarta: Kreasi Wacana. 1993.
Slamet, Md, Melihat Tari. Surakarta: Citra Salin. 2016.
Soekanto, Soeryono. Sosiologi Suatu Pengantar (edisi ke-empat). Jakarta: Raja Grafindo Persada. 1990.
Webtography
http://.blogkinaryagspcompany.com 25 November 2013
http://kinaryasoeryasoemirat.com 14 November 2013
Interviews
Allexander Hassim (54) Jakarta, Choreographer of Kinarya Gencar Semarak Persada (GSP) Company.
Dudit Gunawan (43) Jakarta, Choreographer
Girinanda Chrisma Putri (26) Surakarta, Dancer of Bedhaya Sri Nawa Kumala
Guruh Sukarno Putra (63) Jakarta, Indonesian Artist